Classical | Nashville Public Radio

Classical

Kara McLeland / Nashville Public Radio

The Maharaja Flamenco Trio stopped by prior to an evening concert at Middle Tennessee State University, bringing with them a lively set of classic Gypsy jazz and original flamenco music. Helmed by MTSU alumnus Silviu Ciulei, who is trained in both classical and flamenco guitar styles, the trio includes Tony Hartmann on percussion and David Cobb on bass. 

Alex Ferrari / Courtesy of Intersection

Nashville is home to nearly 15,000 Kurdish residents, a population bigger than any other city in the United States. Most have found refuge here, having fled wars and dictatorships since the 1970s. This vibrant community was one point of inspiration for Kelly Corcoran, artistic director of Nashville's contemporary chamber ensemble Intersection. This Friday and Saturday, Intersection will present "From the Ancient Valley," a program inspired by Kurdish and Persian culture. 

Krists Luhaers / Wikimedia Commons

Since jazz's coming of age in the early 20th century, classical and jazz musicians have been influencing and borrowing from one another, creating some bold and innovative music along the way. From the early syncopations of Scott Joplin and George Gershwin to modern interpretations of classics from the likes of Kamasi Washington, jazz and classical music have been combined in harmony for over a century. 

Kara McLeland / Nashville Public Radio

A professional, eight-member choir is one of the newest chamber ensembles in Nashville. Singing under the direction of Matthew Phelps, Vocal Arts Nashville brought us selections from their first season, which continues at 4:30 p.m. Sunday, March 4 at West End United Methodist with music of Bach and Brahms.

Tony Spielberg / Nashville Ballet

When a ballet about the Holocaust was first suggested to Stephen Mills, Artistic Director and choreographer for Ballet Austin, it struck him as the “worst idea ever.” It wasn’t until he met Naomi Warren, who survived three concentration camps while her family did not, that Mills felt moved to create Light / The Holocaust and  Humanity Project. The ballet, which centers around Warren’s story, will receive its local premiere with Nashville Ballet this weekend.

Photo courtesty Zeneba Bowers

Issues around immigration have been particularly prominent and polarizing over the last year. And ALIAS cofounder and former artistic director Zeneba Bowers says that the decision to stage a concert series celebrating the music of American immigrants was the direct result of the current political climate.  

Mickey Dobo / Nashville Symphony

Nashville Symphony audiences will find both familiar and new music in the 2018-19 season lineup, with a continuation of some favorite traditions from past seasons. 

Photo courtesty Nashville Opera

With a muscle-bound hero and damsel in distress, mythological storylines and an abundance of good vs. evil drama, Mario Bava’s 1961 Italian film Hercules in the Haunted World has all the trappings of a good opera. That’s why composer Patrick Morganelli, who had been a fan of the film for many years, jumped at the chance to turn the cult-fantasy flick into an operatic saga with Opera Theater Oregon in 2010. Morganelli’s Hercules vs. Vampires will get its Nashville premiere this Saturday with the Nashville Opera.

Kara McLeland / Nashville Public Radio

On a cold January afternoon, voices ring out from the choir, speaking text that echoes throughout the sanctuary of Fisk Memorial Chapel.

headshots provided by ALIAS Chamber Ensemble

Nashville's ALIAS Chamber Ensemble today announced that cofounder and longtime Artistic Director Zeneba Bowers is retiring from her role at the organization's helm. The violinist will continue to perform  with ALIAS and will be given the title Artistic Director Emeritus.
 

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